Original post date: 11 March 2019 Rating: ✭✭✰✰ The very beginning of this flick promises a return to old-school entertainment. For one thing, they actually run a bunch of credits at the start of the movie. Also, the music is cool with a fair helping of classic French pop by the likes of Françoise Hardy, France Gall, Serge Gainsbourg and Brigitte Bardot. It has that widescreen Technicolor feel like those elegant spy or mystery movies from the 1960s. Quickly enough though, we are into 21st-century territory where irony is squeezed out of how dark and perverted American suburbs can be, how sunlight, modern architecture and children’s playdates are only a mask over the soul’s darkness. Think Desperate Housewives meets the late Stanley Donen’s Charade. Anna Kendrick’s Stephanie is a familiar type—the overachieving (single) mom who annoys all the other moms by being too perfect and who also has a video blog about cooking and crafts. Blake Lively’s Emily is her unlikely new best friend, a ...
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